Stray Dogs, the latest film from Taiwanese
director Ming-liang Tsai, (Vive L'Amour, Good Bye, Dragon Inn), is a work
of elegiac minimalism focused on an unusual family eking out an existence at
the very bottom of the economic ladder. Using extended, primarily static shots,
Tsai explores the emotions of a father near the end of his rope and the two
children whom he takes care of along with a woman who works at a grocery store
(who may be their mother, but I’m not sure). The nuts and bolts of the simple
story are not of great importance in this impressionistic picture; rather it is
the anger, anguish, and occasional joy expressed by the characters. Of equal
weight are the everyday chores and habits they undertake to sustain
themselves--eating, washing, working, etc. This is a slow, subtle, observational
movie which may drive many audiences crazy, since very little happens over the
course of more than two hours. However, if you have the patience to allow
Tsai’s film to take you over, there are many rewards.