Twitter Capsule:
The latest entry in the seemingly bottomless supply of business-biopics tells the story behind the man behind the push toys that took over the '90s—and the wronged women behind him—with all the expected tools of this lazy sub-genre: constant voice-over narration, on-the-nose period needle drops, one-dimensional characterizations, and the inexplicable use of widescreen for visuals (and narrative) that look and feel like a TV movie.