Seeking out the

5000 greatest films

in a century of cinema

Recent Posts

Hold the Dark
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Review

Hold the Dark (2018)

Jeremy Saulnier

Maria
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Review

Maria (2024)

Pablo Larraín

The Apprentice
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Review

The Apprentice (2024)

Ali Abbasi

Babygirl
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Review

Babygirl (2024)

Halina Reijn

Handling the Undead
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Review

Handling the Undead (2024)

Thea Hvistendahl

The Room Next Door
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Review

The Room Next Door (2024)

Pedro Almodóvar

Nickel Boys
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Review

Nickel Boys (2024)

RaMell Ross

National Anthem
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Review

National Anthem (2024)

Luke Gilford

Nosferatu
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Review

Nosferatu (2024)

Robert Eggers

Bird
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Review

Bird (2024)

Andrea Arnold

A Complete Unknown
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Review

A Complete Unknown (2024)

James Mangold

The Brutalist
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Review

The Brutalist (2024)

Brady Corbet

The End
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Review

The End (2024)

Joshua Oppenheimer

Gaucho Gaucho
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Review

Gaucho Gaucho (2024)

Michael Dweck, Gregory Kershaw

Films of 1984
List

Films of 1984

Reliving my favorite year of cinema on its 40th anniversary

Beverly Hills Cop
100 Favorite Films Feature

Beverly Hills Cop

The most seemingly effortless movie of the '80s

Beverly Hills Cop
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Review

Beverly Hills Cop (1984)

Martin Brest

Maria's Lovers
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Review

Maria's Lovers (1984)

Andrey Konchalovskiy

The Funeral
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Review

The Funeral (1984)

Jûzô Itami

Diary for My Children
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Review

Diary for My Children (1984)

Márta Mészáros

Boy Meets Girl
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Review

Boy Meets Girl (1984)

Leos Carax

Nausicaä of the Valley of the Wind
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Review

Nausicaä of the Valley of the Wind (1987)

Hayao Miyazaki

Marlene
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Review

Marlene (1984)

Maximilian Schell

Success Is the Best Revenge
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Review

Success Is the Best Revenge (1984)

Jerzy Skolimowski